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Exploring Music as Worship and Theology

Research in Liturgical Practice

Exploring Music as Worship and Theology addresses a central challenge to liturgical scholars and pastoral leaders?how to understand the diverse, culturally shaped worship patterns that exist in our multi-cultural church. It situates music as a central lens through which to explore a community?s liturgical practice, and offers a practical method for studying and interpreting the lived experience of a musical-liturgical assembly. Exploring Music as Worship and Theology invites greater attention to the diverse cultural music emerging in our various Christian assemblies, and underscores the need for greater dialogue between our theories of liturgy, music, and the actual practice of local communities.Chapters are ?Interdisciplinary Orientations to Musical-Liturgical Practice,? ?The Research Process,? and ?Creative Dialogue with Liturgical Studies.??. . . offers new insights and wisdom on Christian faith and practice as expressed in Christian music and music making.? The Midwest Book Review?In an era when much writing about liturgy and music betray little more than authorial bias, it is refreshing to read a work stepping back from the ?culture wars? to concentrate on method. . . . Required reading for seminarians and clergy, for graduate students in liturgical studies, and for Christian music ministers.? Mike Joncas University of St. Thomas". . . makes a significant contribution to the pastoral imperative of liberating our liturgical celebrations from the rigid patterns imposed by the rubrical priorities which for centuries have been accepted as the absolute standard and norm for liturgical worship. Recognizing this rubricism 'had all but dried up our liturgical imagination,' McGann offers readers the fruit of her work with an African American Catholic community. Her observations have far-reaching implications for the authentic inculturation of the liturgy in our multi-cultural world. Rigid models cannot meet the needs of this pastoral reality. McGann's methods can aid liturgical leaders to embrace this imperative with fresh insight and much-needed imagination." Louis Weil Professor Church Divinity School of the Pacific"As the U.S. Church increasingly becomes a community of immigrants and refugees, we have a choice on how to welcome this new diversity among us. Will they be forced into American standards of liturgy or will there arise a mutual respect and interchange? Mary McGann's work, moving from theory to pastoral practice, offers fresh ritual and liturgical insights for our changing times. Ultimately, her work will assist pastoral musicians and liturgists in breaking out of Western-European attitudes toward music making and ritual. Her concerns and procedures offer a path out of dominant culture thinking and open rich possibilities for the Church of the 21st century." Rufino Zaragoza, O.F.M. San Damiano Retreat Center Oakland, California". . . a wonderful guide for imagining a church where theology and practice cooperate, where the richness of cultural and experiential diversity informs all liturgy, and where academic study is done with integrity and inclusivity. All this is presented through the medium of liturgical music which opens the door to expansive possibilities using precise and practical suggestions of how to understand the many meanings that ritual and music play in the expression and creation of the Body of Christ." Lizette Larson-Miller Associate Professor of Liturgical Leadership Graduate Theological Union ". . . a truly interdisciplinary and integrated method and research process for studying and interpreting what occurs in the lived liturgical experiences of our faith communities. Professor McGann's book is also a much needed resource as we now take more seriously the task of articulating a plurality of liturgical theologies that actually reflect the diversity of these communities." Michael B. Aune Academic Dean Professor of Liturgical and Historical Studies Pacific Lutheran Theological Seminary"McGann draws on three fields?liturgical studies, ethnomusicology, and ritual studies?to distill for us the foundational role of music in liturgical life. Even more significantly, she articulates its theological import and potential for ritual communities today. McGann brings both expertise in all the theoretical literature and much practical experience to this new frontier in pastoral liturgy. And it is on the fluid frontier of how we worship that theology in this century will have to find its footing. McGann points the way." Catherine Bell Bernard J. Hanley Professor of Religious Studies and Department Chair Asian Studies Program Director Santa Clara University". . . an important book for those who work in the field of liturgical studies. In a clear and engaging manner, Mary McGann makes a significant contribution to the topic of method in liturgical theology by offering an interdisciplinary approach for studying music as liturgical performance. Drawing on theories from the fields of liturgical studies, ethnomusicology, and ritual studies, she offers a new model for incorporating empirical field research into liturgical theology, one which allows music to be explored as a theological act." Margaret Mary Kellerher, O.S.U. Associate Professor and Department Chair Department of Religion and Religious Education Catholic University of America?This small volume will be a useful guide to those interested in doing empirical field research in the area of worship music.? New Theology Review? . . . offers a method of exploring music as worship and theology that goes far deeper than many people are accustomed to using . . . is not merely for scholars but could be used . . . for parishes, especially by music directors, diocesan personnel, or synods.? Ministry & Liturgy

All this is presented through the medium of liturgical music which opens the door to expansive possibilities using precise and practical suggestions of how to understand the many meanings that ritual and music play in the expression and ...

Heart and voice: instrumental music in Christian worship not divinely authorised

For any party in a Church to claim a liberty of introducing novelties , is to violate the rules or standard practice of the Church , in the faith of their maintenance of which the persons making such claims were admitted .

Sociology and Music Education

Sociology and Music Education addresses a pressing need to provide a sociological foundation for understanding music education. The music education community, academic and professional, has become increasingly aware of the need to locate the issues facing music educators within a broader sociological context. This is required both as a means to deeper understanding of the issues themselves and as a means to raising professional consciousness of the macro issues of power and politics by which education is often constrained. The book outlines some introductory concepts in sociology and music education and then draws together seminal theoretical insights with examples from practice with innovative applications of sociological theory to the field of music education. The editor has taken great care to select an international community of experienced researchers and practitioners as contributors who reflect current trends in the sociology of music education in Europe and the UK. The book concludes with an Afterword by Christopher Small.

This is required both as a means to deeper understanding of the issues themselves and as a means to raising professional consciousness of the macro issues of power and politics by which education is often constrained.

Greatest Hits

Easy Guitar with Notes & Tab

(Easy Guitar). Now even beginning guitarists can play 16 Neil Young classics! Includes easy arrangements in notes & tab for: After the Gold Rush * Cinnamon Girl * Harvest Moon * Heart of Gold * Hey Hey, My My (Into the Black) * Like a Hurricane * Old Man * Rockin' in the Free World * Southern Man * and more, plus photos and lyric sheets.

(Easy Guitar). Now even beginning guitarists can play 16 Neil Young classics!

Neil Young - Decade

(Guitar Chord Songbook). 35 songs from the boxed set, originally released as three albums in 1977, with just the lyrics and chords so you can strum and sing along. Titles include: After the Gold Rush * Cinnamon Girl * Down by the River * Harvest * Heart of Gold * Like a Hurricane * Long May You Run * Mr. Soul * Ohio * Old Man * Southern Man * Tonight's the Night * and more.

(Guitar Chord Songbook). 35 songs from the boxed set, originally released as three albums in 1977, with just the lyrics and chords so you can strum and sing along.

Neil Finn

Once Removed

A collection of things seen on Neil Finn's first solo tour: the speed, the landscapes, venues and travel. It is also the vehicle for his unashamedly intimate, often amusing but always honest thoughts on music, relationships, fans, family and future.

Musician Neil Finn, once with the music group "Crowded House" and now a solo artist, reveals his song writing processes, his inspiration, and the pleasures and pain of a touring musician in his own words.

Panorama Maqashid Syariah

Buku ini merupakan kumpulan pemikiran dari para ulama terkait dengan Maqshid syariah yang disusun oleh para penulis yang sudah berpengalaman di dalam dunia ilmu Hukum Islam dan Maqashid Syariah. Sebagai sebuah pemikiran tentu saja ianya memiliki kelebihan dan kekurangan sehingga harus disikapi sebagai suatu karya brilliant yang menjadi bahan kajian untuk generasi berikutnya.

Beberapa karangan fonumental yang pernah ditulis diantaranya Maqashid Al Shariah : A Beginner's Guide, Islam, Christiany and Pluralism, Shariah and Politics, Maqashid Al-Shariah as Philosophy of Islamic Law A system Approach, ...

Teknik & Etik Profesi TV Presenter

Menjadi TV Presenter yang baik dan menarik tidak mudah. Oleh karena itu, buku ini perlu dibaca dan dipelajari oleh siapa saja yang berminat menjadi TV Presenter yang andal dan profesional. Isinya dapat dijadikan rujukan praktis dan sederhana, karena mengulas berbagai seni dan prinsip dasar bagaimana menjalankan profesi sebagai TV Presenter yang baik dan menarik sehingga apa yang dikomunikasikan dapat dipahami, disukai, dan dipercayai oleh khalayak pemirsa TV. (Prof. Sasa Djuarsa Sendjaja, Ph.D. Guru Besar Ilmu Komunikasi FISIP UI, mantan Ketua KPI Pusat ) Buku Teknik & Etik Profesi TV Presenter hadir pada waktu yang amat tepat. Pertama, karena penulisnya adalah tokoh idola saya dan mungkin idola begitu banyak penonton serta pemirsa Televisi di masa kejayaan TV Publik (TVRI). Artinya, penulis buku menyampaikan pengalaman empirisnya yang benar-benar memesona pada saat itu. Bahkan tidak berlebihan saya menyatakan,kalaupun periode itu dipenuhi stasiun TV komersial seperti sekarang, penampilan Anita Rahman tetap akan menonjol. Jernih suaranya, tepat lantun nadanya, serta terlihat pas (dapat dibaca “etis”) pada setiap kesempatan. Kedua, buku ini memancing perbandingan, antara pengalaman dan hal-hal yang Anita Rahman usulkan, dengan kenyataan bagaimana para Presenter Televisi kita harus membawakan berita atau aneka acara dewasa ini : pada kasus terorisme, musibah tsunami, serangan kampanye negatif pilpres, pelecehan seksual anak dan sebagainya, Ketiga, buku ini diperkaya dengan aturan dan beberapa teori universal, plus kisah-kisah anekdotikal sebagai pelengkap sekaligus membuatnya menjadi mengalir. Terima kasih atas sumbangan signifikan antarmasa ini, yang akan memancing efek heuretik bagi para Presenter TV sekaligus ilmuwan lainnya. (Effendi Gazali, Ph.D., MPS ID, Peneliti Komunikasi Politik, UI dan Visiting Professor di Jeju National University Korea, alumnus Cornell University, NY, USA. & Radboud University, Nijmegen, the Netherlands) Seorang Presenter TV tidak hanya dituntut menguasai teknik presentasi, melainkan juga etik profesi sebagai wujud tanggung jawab kepada publik. Buku yang ditulis praktisi berpengalaman, seperti Ibu Anita Rahman ini patut diapresiasi karena akan memberi pengetahuan dan spirit yang bermanfaat bagi yang sedang dan akan menggeluti dunia Presenter Televisi. (Dr. Dadang Rahmat Hidayat, SH, S.Sos, M.Si. Ketua Departemen Jurnalistik Fikom Unpad, Bandung, mantan Ketua KPI Pusat) Anita Rahman, ikon yang lebih luas dari kotak televisi. Bahkan suaranya, untuk tidak mengatakan tarikan napasnya, dikenali masyarakat. Juga tatapan mata yang memberi garis bawah apa yang disuarakan. Kalau kini “si mata belok”, menurunkan ilmu dalam sebuah buku, itulah yang ditunggu. Sesungguhnya ini tradisi yang baik dari para suhu pertelevisian. (Arswendo Atmowiloto, Pengarang, Pengamat pertelevisian) Dalam profesi apa pun, pemahaman teknik dan etik menjadi hukum besi yang tak bisa ditawar. Apa lagi profesi TV Presenter yang menggunakan ranah publik. Pertanggungjawaban profesinya menjadi berlipat. Buku ini mengurai secara lengkap kedua dimensi tersebut. Contoh praktis dari pengalaman penulis yang mempunyai jejak rekam panjang di dunia penyiaran, menjadikan buku ini makin bernas. (S. Rahmat M., S.Si – Ketua Bidang Isi Siaran KPI Pusat)

Seorang TV News writerakan dapat melaksanakan tugasnya dengan efisien, kalau ia menulis hanya dalam pola-pikir bahasa lisan/ spoken words. Demikian pula ketika menyusun dan mempersiapkan naskah yang akan dibaca News Presenter atau ...

BAHAN AJAR Musik Nusantara II (Gamelan Degung)

Puji hanyalah milik Alloh SWT., syukur senantiasa penulis sampaikan kehadirat-Nya karena atas segala kodrat dan irodat serta hidayah dan inayah-Nya buku ”Buku Bahan Ajar Mandiri: Musik Nusantara II (Gamelan Degung)” ini akhirnya dapat selesai. Buku ini merupakan sebagian dari pengembangan dan implementasi buku ”Degung Kawih Wanda Anyar: Alternatif Model dan Materi Pembelajaran Seni Tradisional Sunda” yang penulis terbitkan sebelumnya. Bahan ajar ini memuat materi-materi pokok mata kuliah Musik Nusantara II atau Mata Kuliah Gamelan Degung yang meliputi dua genre musik ensambel gamelan degung yaitu Degung Klasik dan Degung Kawih Wanda Anyar. Pemisahan keduanya tidak dimaksudkan sebagai pendikotomian musik degung karena sebenarnya masih dalam satu kesatuan perkembangan seni degung sejak awal kelahirannya. Pemisahan ini hanyalah untuk memudahkan pemahaman mengenai kedua genre tersebut dengan berbagai asesorisnya. Harapan yang diusung melalui bahan ajar mandiri ini adalah guna memudahkan para mahasiswa memahami dasar-dasar ensambel gamelan degung serta dapat mempraktikan dan menganalisa sendiri pola-pola tabuhan baik degung klasik maupun wanda anyar. Kompetensi tersebut dimungkinkan memudahkan mahasiswa mempelajari ensambel gamelan degung dalam konteks yang lebih kompleks pada perkuliahan. Kritik dan saran sangat diharapkan demi perbaikan-perbaikan isi buku ini, serta dengan segala kerendahan hati ucapan terima kasih disampaikan kepada semua pihak yang telah membantu terbitnya buku ini, yang tidak bisa dirinci di sini.

Puji hanyalah milik Alloh SWT., syukur senantiasa penulis sampaikan kehadirat-Nya karena atas segala kodrat dan irodat serta hidayah dan inayah-Nya buku ”Buku Bahan Ajar Mandiri: Musik Nusantara II (Gamelan Degung)” ini akhirnya dapat ...