Sebanyak 45 item atau buku ditemukan

High Definition and 24P Cinematography

This authoritative new reference demystifies the technologies of high definition and 24P cinematography. It is written for the director of photography, camera crew and producer or director and deals with the subject from their point of view. It provides a thorough and logical description of the five scanning formats 24P, 25P, 30P, 50i and 60i as well as recording formats, editing options, delivery potential and discussions on the financial implications theses decisions might have. It looks at comparative costs between different decisions surrounding camera formats, such as 16mm to 35mm shooting for different examples, such as a 100-minute low budget movie or 30 second commercial. There is also considerable discussion on the advantages and disadvantages of using HD versus film, seen from a producer's perspective and what the impact is on all those involved in making a movie. Different delivery systems and camera equipment are discussed as well as editing. Filled with practical advice for tackling everyday decisions and choices, this is a must-have guide for anyone using or considering using high definition technology.

Filled with practical advice for tackling everyday decisions and choices, this is a must-have guide for anyone using or considering using high definition technology.

Practical Cinematography

Filmmaking is an art, but, like so many art forms, there are basic underlying tools and techniques and a body theoretical knowledge that must be understood and mastered before artistic expression can flourish. This book is an invaluable resource for all aspiring DoPs. Practical Cinematography can be dipped into for quick reference - perhaps to answer a specific question or deal with practical problems relating to a shoot - or read from cover to cover. It discusses the principles of cinematography and the expertise which is unique to the Director of Photography (DoP). It deals with all the basic theory such as color temperature and sensitometry, and all the practical things a DoP needs to know, from the make-up of the crew to how to prepare an equipment list.

This book is an invaluable resource for all aspiring DoPs.

Cinematography: Theory and Practice

Image Making for Cinematographers and Directors

There's more to being a DP than holdng a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography. Cinematography presents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production. Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the classic tried and true methods.

With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic ...

Digital Cinematography

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Filming the Fantastic: A Guide to Visual Effects Cinematography

Don't waste valuable time and budget fixing your footage in post! Shoot the effects you want effectively and creatively the first time. This full-color step-by step guide to visual effects cinematography empowers you to plan out and execute visual effects shots on a budget, without falling into the common pitfall of using high-end computer graphics to "fix it in post. Learn how to effectively photograph foreground miniatures, matte paintings, green screen set ups, miniatures, crowd replication, explosions, and so much more to create elements that will composite together flawlessly. Filming the Fantastic focuses on the art and craft of visual effects using real case scenarios from a visual effects cameraman. These lessons from the front line will give you ideas and insight so you can translate your skills into any situation, no matter what camera or software package you are using and no matter if you are using film or digital technology. Learn how to film your fantastic visual effects with this book!

Learn how to film your fantastic visual effects with this book!

Cinematography in the Weimar Republic

Lola Lola, Dirty Singles, and the Men Who Shot Them

Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium cinematographers were the leading purveyors of the new kinetic visual imaginary.

Cinematography in the Weimar Republic argues that the new medium of film was preeminent among the avant-garde art forms that distinguished the cultural renaissance of the Weimar Republic and that within this progressive medium ...

Affecting the audience through motion pictures: The cinematography of 'Amores Perros'

Seminar paper from the year 2009 in the subject Film Science, grade: 1,7, University of London, course: Latin American Cinema, language: English, abstract: Amores Perros (2000) is the first feature film of Mexican Filmmaker Alejandro González Iñárritu. Released in 2000 at the Cannes Film Festival, the movie won the Prize of the Critic's Week at Cannes. It was the first Mexican film after 25 years that entered an Oscar competition. By referring to specialist magazine Cine XS (Flores-Durán and Pedroza, 2000) Paul Julian Smith explains that ‘Amores Perros is representative of a ‘new trend’ in Mexican cinema’ (Smith, 2003, p. 25). The film not only won a lot of prizes at international film festivals, it was also very successful at the box offices. It earned $ 10 million in Mexico, $ 5 million in the US and $20 million worldwide (Smith, 2003, p. 13). ‘The critical and commercial success of González Iñárritu’s film comes at a time when the Mexican film industry appears to be going through its worst period since the early 1930s’ (D’Lugo, 2003, p. 221). But what makes this film so successful? The brilliant narration, the strong soundtrack, the outstanding cinematography and special marketing strategies could be factors for its success. The cinematic and editing techniques used in this movie are very different from films of former Latin American filmmakers. In this essay, I would like to concentrate on the cinematography of Amores Perros and analyse how it creates meaning and supports the story and the characters. I will start with general information about the movie and sum up the plot very briefly. After that, I will begin the analysis of the cinematography and give some background information about the production. Firstly, I want to give some general information about the specific cinematographic techniques used in Amores Perros and then I would like to analyse several sequences more properly. The opening sequence will be analysed accurately, then I concentrate on several key-scenes.

In this essay, I would like to concentrate on the cinematography of Amores Perros and analyse how it creates meaning and supports the story and the characters.

Making Pictures

A Century of European Cinematography

Five hundred movie stills and photographs highlight this comprehensive overview of European cinematographic art, which offers incisive analyses of one hundred seminal films---from Battleship Potemkin to The Elephant Man--along with a technical and creative history of the cameraperson's craft.

Five hundred movie stills and photographs highlight this comprehensive overview of European cinematographic art, which offers incisive analyses of one hundred seminal films---from Battleship Potemkin to The Elephant Man--along with a ...

Operating Cinematography for Film and Video

A Professional and Practical Guide

Operating Cinematography collects the author's best articles from his highly regarded monthly column -- "Operating Tips" -- for The International Photographer magazine. These articles explore a broad range of technical and aesthetic subjects of essential importance to the operating cameraperson, such as image framing and sizing, camera positioning and moving, collaborating with the crew, and techniques unique to features, episodics and sitcoms.

Operating Cinematography collects the author's best articles from his highly regarded monthly column -- "Operating Tips" -- for The International Photographer magazine.

Neo-Islamic Culture’s Influence on Recent Turkish Media

The volume looks at the relation between contemporary Turkish film and television discourses and religion, in relation to the traditions and rituals of Islam, the representation of Muslim women, and subsequent changes in narratives and characters. It employs differing approaches to the relationships between media and religion, concentrating on how religion has started to shape the politics of film in new cinema practices in Turkey. As such, the book represents a comprehensive resource on recent Turkish cinema and TV – a milestone at a time when numerous disciplines have shown an increasing interest in the emerging new Islamic popular culture. It will appeal to those who are interested in Turkey’s opinion about itself, scholars who work in film studies, media studies, religious studies, gender studies and the political sciences, as well as anyone with an interest in Middle Eastern studies and media.

Small and medium-scale enterprises at local levels have formed a new business community by improving their business practices, acquiring technology, and searching for new markets, and even without direct support from the government, ...