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Broadcasting in the Third World

Promise and Performance

Broadcasting has long been considered one of the keys to modernization in the developing world. Able to leap the triple barrier of distance, illiteracy, and apathy, it was seen as a crucial clement in the development of new nations. Recently, however, these expectations have been disappointed by broadcasting's failures to reach the rural masses and the urban unemployed. Broadcasting has also come under attack as serious questions have been raised about its uncritical importation of western culture. Now, in Broadcasting in the Third World, Elihu Katz and George Wedell offer the first complete coverage of the problems and promises of broadcasting in the third world. Their findings, often controversial and always illuminating, will be of considerable value to sociologists, political scientists, communications specialists, and students of development. Broadcasting in the Third World is based on field research in eleven developing countries (Algeria, Brazil, Cyprus, Indonesia, Iran, Nigeria, Peru, Senegal, Singapore, Tanzania, and Thailand) and secondary source material from a further eighty countries. In looking at the role of broadcasting in national development, the authors focus on three areas of promise: national integration, socio-economic development, and cultural continuity and change. They describe the ways in which the technology and content of broadcasting have been transferred from the developed west to the third world, and the go on to show that western broadcasting must be adapted to suit the specific political, economic and social structures of each developing country. The authors conclude with a series of recommendations which challenge most of the assumptions upon which the principles and practices of broadcasting are based. Well-researched, extensively documented, it will challenge policy-makers and provide important data for researchers.

In this book Elihu Katz and George Wedell offer the first complete coverage of the problems and promises of broadcasting in the third world.

British Broadcasting

A Study in Monopoly

First Published in 1969. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1969. Routledge is an imprint of Taylor & Francis, an informa company.

World Broadcasting

A Comparative View

As mass communication is a major topic of interest in American colleges, there is also a growing interest in comparative mass media in other countries. This book is designed to put current practices in the United States in comparative perspective and thus shed new light on American media practices. It is designed as a resource for the growing number of courses dealing with international media, and a recommended supplement for basic mass communications courses that provide a global perspective.

This book is designed to put current practices in the United States in comparative perspective and thus shed new light on American media practices.

Theories and Techniques of Radio Broadcasting

The book ""Theories and Techniques of Radio Broadcasting"" is the first textbook for professional radio hosts. The structure of the book follows path, starting from a more general view of the Radio (the structure of Radio Broadcasting, the radio as a company, different radio formats, the division of roles, and the radio clock) and then gets closer and closer to the specific character of the radio host. It answers important questions, such as: ""How do you become a radio host? What are the main rules of conducting radio?"" then moves on to technical issues such as the management of the duration of a segment, the use of the AIDA technique and how to prepare a radio demo.

The book ""Theories and Techniques of Radio Broadcasting"" is the first textbook for professional radio hosts.

Digital Audio Broadcasting

Principles and Applications of DAB, DAB + and DMB

Digital Audio Broadcasting revised with the latest standards and updates of all new developments The new digital broadcast system family is very different from existing conventional broadcast systems. It is standardised in a large number of documents (from ITU-R, ISO/IEC, ETSI, EBU, and others) which are often difficult to read. This book offers a comprehensive and fully updated overview of Digital Audio Broadcasting (DAB, DAB+) and Digital Multimedia Broadcasting (DMB), and related services and applications. Furthermore, the authors continue to build upon the topics of the previous editions, including audio coding, data services, receiver techniques, frequencies, and many others. There are several new sections in the book, which would be otherwise difficult to locate from various sources. Key Features: The contents have been significantly updated from the second edition, including up-to-date coverage of the latest standards Contains a new chapter on Digital Multimedia Broadcasting “Must-have” handbook for engineers, developers and other professionals in the field This book will be of interest to planning and system engineers, developers for professional and domestic equipment manufacturers, service providers, postgraduate students and lecturers in communications technology. Broadcasting engineers in related fields will also find this book insightful.

This book offers a comprehensive and fully updated overview of Digital Audio Broadcasting (DAB, DAB+) and Digital Multimedia Broadcasting (DMB), and related services and applications.

Indian Broadcasting

This book is an effort towards a readable story of broadcasting by catching some of the flavours of the various stages of its growth.

This book is an effort towards a readable story of broadcasting by catching some of the flavours of the various stages of its growth.

Broadcasting Politics in Japan

NHK and Television News

The aftermath of Japan's 1945 military defeat left its public institutions in a state of deep crisis; virtually every major source of state legitimacy was seriously damaged or wholly remade by the postwar occupation. Between 1960 and 1990, however, these institutions renewed their strength, taking on legitimacy that erased virtually all traces of their postwar instability.How did this transformation come about? This is the question Ellis S. Krauss ponders in Broadcasting Politics in Japan; his answer focuses on the role played by the Japanese mass media and in particular by Japan's national broadcaster, NHK. Since the 1960s, television has been a fixture of the Japanese household, and NHK's TV news has until very recently been the dominant, and most trusted, source of political information for the Japanese citizen. NHK's news style is distinctive among the broadcasting systems of industrialized countries; it emphasizes facts over interpretation and gives unusual priority to coverage of the national bureaucracy. Krauss argues that this approach is not simply a reflection of Japanese culture, but a result of the organization and processes of NHK and their relationship with the state. These factors had profound consequences for the state's postwar re-legitimization, while the commercial networks' recent challenge to NHK has helped engender the wave of cynicism currently faced by the state. Krauss guides the reader through the complex interactions among politics, media organizations, and Japanese journalism to demonstrate how NHK television news became a shaper of Japan's political world, rather than simply a lens through which to view it.

This is the question Ellis S. Krauss ponders in Broadcasting Politics in Japan; his answer focuses on the role played by the Japanese mass media and in particular by Japan's national broadcaster, NHK.

The Decline and Fall of Public Broadcasting

Concentration of the media has reached new heights, making it harder for alternative and critical voices to gain a hearing. The recent $86 billion merger of Time Warner and AOL is just one of many signs of the narrowing of information sources. Market pressures have also encroached on the original mission of public broadcasting, which was to "provide a voice for groups that may otherwise be unheard." Yet around the country, creative journalists and activists are creating more democratic, informative, and engaging media. Whether they are working to defend and expand democratic access to existing media or building their own media alternatives through the radio, television, or the World Wide Web, they are pioneering new ways of sharing information. In the Decline and Fall of Public Broadcasting, David Barsamian gives an insider's account of these new media activists and the challenges they confront, drawing on his years of experience in public radio. Since 1986, Barsamian has been the producer of the highly acclaimed Alternative Radio, a weekly one-hour public affairs program broadcast in North America, Europe, South Africa, and Australia, as well as short-wave radio and the Internet. David Barsamian is the producer of the award-winning syndicated radio program Alternative Radio. His interview books with luminaries such as Noam Chomsky, Howard Zinn, and Edward W. Said have sold in the hundreds of thousands. His most recent interview book is Propaganda and the Public Mind: Conversations with Noam Chomsky (South End Press, 2001). He is also the author of Eqbal Ahmad: Confronting Empire (South End Press, 2000). Also Available by David Barsamian Propaganda and the Public Mind: Conversations with Noam Chompsky TP $16.00 0-89608-634-8 • CUSA Eqbal Ahmad: Confronting Empire TP $16.00 ISBN 0-89608-615-1 • CUSA

In the Decline and Fall of Public Broadcasting, David Barsamian gives an insider's account of these new media activists and the challenges they confront, drawing on his years of experience in public radio.